The Naked Time
Do you have photos of moments in your life that make you cringe? I have a handful of them, particularly from my early 20s, when I was searching for a path out of Texas. I had moved beyond my flashy New Wave days of makeup and big hair into a strange hybrid uniform of 1940s suit vests, cardigan sweaters, giant t-shirts, over-sized jeans, white boxer shorts, and black wingtip shoes. In 1993, my last year in Houston, the real crime was my goofy Roman haircut. I’m not sure why I thought I could make such an unflattering style into something cool.
This can work if you’re rugged,
or a rock star,
My fashion faux pas was a personal line in the sand against the rise of grunge and its impact on the local art and bar scene. After graduating from high school, I had no trouble meeting interesting, attractive girls from the art and new wave scene, but my artsy friends and I saw ourselves as perpetual outsiders, happy to avoid trendy clichés. What we didn’t realize was that by identifying ourselves as outsiders, we were fulfilling another artistic stereotype. At least this stance offered us a small sense of self-worth and dignity in an environment that felt increasingly static. The Houston nightlife included the new bar Emo’s, which catered to the trendy grungy/alternative music scene that was rising at that time in which the standard patron was an avowed fan of Jane’s Addiction and the Red Hot Chili Peppers. On a typical night, the bartenders usually ignored me and my nerdy, un-inked friends, while the regular patrons were quickly served — reinforcing the message that we didn’t belong. This left us feeling invisible to anyone outside of our artsy circle, but it fueled our self-righteous resolve to reach escape velocity from the endless orbit of Texas.